By Noriko Takeda
In its foreign and cross-cultural evolution, the modernist circulation introduced the main amazing achievements within the poetry style. via their fragmented mode through semantic scrambling, the modernist poems search to embrace an indestructible solidarity of language and paintings. so as to elucidate the importance of that «essential» shape in capitalistic occasions, A Flowering notice applies C. S. Peirce’s semiotic idea to the central works of 3 modern writers: Stéphane Mallarmé’s overdue sonnets, T. S. Eliot’s 4 Quartets, and the japanese prefeminist poet, Yosano Akiko’s Tangled Hair.
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Additional info for A Flowering Word: The Modernist Expression in Stéphane Mallarmé, T. S. Eliot, and Yosano Akiko (Currents in Comparative Romance Languages and Literatures, Volume 67)
The erotic voice from the speaker’s white body accelerates the communion between the diversified objects at the extremity of lines in an enhancing aestheticized imagery, even though the attempt of the retrieval represents a metonymic displacement. For communal order and development, the sunlight presents models by the inspired predecessors, thus showing the way. In Yosano Akiko’s exaggerated mimesis of erotic sunlight, the reader is seduced to respectfully live the eternal development of his or her self that cycles in earthly reproduction.
By the dominant stimulation of presence in the flamboyant sunlight, Yosano Akiko assimilated romanticism, or idealism, with realism. This qualified the author as “a leading tanka poet” (Keene 24), throwing the influential light equally on the Naturalist Tanka: Beloved Buddha Among the new leaves of these trees, More and more I feel the friendliness Of your face. (G-S, 14) The nostalgic sound of her Tanka, the “thirteen strings” of the reflecting sunlight, cast a rainbow reaching not only the uncultivated field of poetry but also politics.
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A Flowering Word: The Modernist Expression in Stéphane Mallarmé, T. S. Eliot, and Yosano Akiko (Currents in Comparative Romance Languages and Literatures, Volume 67) by Noriko Takeda