1922: Literature, tradition, Politics examines key features of tradition and background in 1922, a yr made well-known by means of the book of numerous modernist masterpieces, comparable to T. S. Eliot's The Waste Land and James Joyce's Ulysses. person chapters written by means of top students supply new contexts for the year's major artworks, philosophy, politics, and literature. 1922 additionally analyzes either the political and highbrow forces that formed the cultural interactions of that privileged second. even if this quantity takes post-World battle I Europe as its leader concentration, American artists and authors additionally obtain considerate attention. In its multiplicity of perspectives, 1922 demanding situations misconceptions in regards to the 'Lost Generation' of cultural pilgrims who flocked to Paris and Berlin within the Nineteen Twenties, hence stressing the broader effect of that momentous yr.
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A world broken in two evokes the traditional trope of the Greek symbolon: two pieces of a pottery that can be reunited to claim an identity. It is to such a work of critical discrimination and synthetic reunion that the following essays welcome you. Notes 1 See Georg Lukács, Essays and Reviews (1922; reprint, London: Merlin Press, 1983). 14 Jean-Michel Rabaté 2 Letter to Trotsky sent by Gramsci from Moscow, dated September 8, 1922, added by Trotsky at the end of chapter 4 of the French version of Littérature et Révolution.
Lovers figure in different guises in the Elegies, among them a boy in early puberty who has not yet experienced an actual sexual relationship (Third Elegy), lovers who court danger by constantly coming too close to boundaries (Fourth), the blissful couple on the acrobats’ mat (Fifth), and the lovers who wear out the threshold (Ninth). In the final elegy, lovers hold one another, “aside, earnestly, in the sparse grass” (Rilke 1996, 231). In the “wide landscape of the Laments” (Rilke 1996, 232) that occupies a substantial part of that elegy, however, the lovers are replaced by a different couple: the Lament and the boy who died young.
Despite establishing itself in the 1920s and 1930s as one of the most influential English-language periodicals, the Criterion today is significantly underrated in the modernist canon of journals and little magazines. This relative neglect has occurred in part because it frustrated some readers for its idiosyncratic and sometimes socially and politically conservative angles, particularly after Eliot’s conversion to Anglo-Catholicism in 1927. Jason Harding points to several strong critiques of the journal, beginning with Lady Lilian Rothermere, who funded the magazine until 1927 when she withdrew her support after becoming “dissatisfied with the character of the journal” (2009, 390).
1922: Literature, Culture, Politics